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Published Date: 2025-12-10 | Pages: 134 | Tables: 130 | Service & Software
The global market for Short Drama Overseas Platform was valued at US$ 6944 million in the year 2024 and is projected to reach a revised size of US$ 33355 million by 2031, growing at a CAGR of 25.1% during the forecast period.
Short dramas, also known as "micro-dramas" or "mini-theaters," refer to a new type of film and television format where each episode is shorter than a traditional TV series, has lower production costs, is primarily distributed via vertical screen on mobile phones, and involves online influencers in production. Micro-dramas are defined as episodes less than 10 minutes long, becoming the fourth officially recognized form of online film and television work after web dramas, web movies, and web animations. The vertical screen short drama industry chain is a complete ecosystem centered on content production, encompassing technical support, platform distribution, user consumption, and derivative services. Its links are closely interconnected, forming a closed loop from creation to monetization.
Vertical Screen Short Drama Industry Chain Analysis: The upstream mainly consists of IP copyright holders. IP copyright holders provide their own IP resources to short drama producers, who then adapt them into short drama scripts. Currently, short drama IP sources include novels, comics, and games. Due to the compact plot characteristics of short dramas, they highly align with online "fast-paced" novels. Among the types of short drama IP copyright holders, online literature institutions account for nearly half due to their content reserves.
The midstream mainly consists of short drama production companies, which are primarily responsible for connecting with upstream resources, rewriting scripts, filming, and post-production, transforming content into online micro-dramas. These short drama production companies are mainly transformed from information flow companies, traditional film and television companies, and MCN companies, as well as some IP copyright companies. Companies include: Mango TV, Huace Film & Television, Linmon Media, Jiaxing Jiuzhou Cultural Media Co., Ltd., and Dianzhong Technology Co., Ltd. Currently, the cost of producing a vertical-screen short drama is approximately $120,000-$150,000 per episode, but the midstream portion only accounts for 10%-15% of the overall industry chain revenue.
The downstream mainly consists of content distributors and streaming providers, primarily responsible for video distribution, traffic generation, and monetization. These include ReelShort, DramaBox, TopShort, FlexTV (Mega Matrix), GoodShort, and ShortTV. Currently, mainstream content distribution platforms include short video platforms, short video mini-programs, long video platforms, and independent short drama apps. Among these, short video platforms are the primary reach, using story clips to attract users and form a closed-loop content consumption cycle. These platforms inherently possess advantages in developing micro-dramas, with a relatively higher degree of alignment with micro-drama content, making them crucial channels for user acquisition and viewing. They also account for the largest share of revenue in the entire industry chain, approximately 80%-85%.
Short drama overseas platforms refer to digital entertainment platforms that promote Chinese-made short dramas to the international market for overseas audiences to watch and consume. These platforms meet the demand for fresh content from overseas audiences through translation, localization, or directly launching popular domestic short dramas, while simultaneously promoting the international dissemination of Chinese culture. This report refers to all platforms used for short drama distribution. Short drama distribution platforms belong to the downstream industry, with gross profit margins as high as 60%.
Short dramas usually refer to vertical screen mini-series with short episodes and fast plot development. They are generally low-cost and short-cycle, and quickly attract users with dramatic plots. Riding on the trend of short videos sweeping the world, short dramas will usher in rapid growth in the domestic and overseas markets in 2023. In June 2023, "ReelShort" became a hit in the overseas market, and the leading online literature export manufacturers have entered the short drama export track. Currently, the daily recharge consumption of paid micro-dramas across all domestic platforms is around 60 million yuan. According to the "2023 China Online Audiovisual Development Research Report," in the past six months, among my country's over 1 billion short video users, 50.4% have watched micro-dramas, micro-variety shows, and short-form anime series of three minutes or less. Fast-paced, high-density, and exaggerated plots are the biggest characteristics of micro-dramas, and also their key to success. Data from Tianyancha shows that there are currently over 230 micro-drama-related companies nationwide, with over 30 newly registered companies from January to October 2023, a 225% increase compared to 2022. As of June 2025, the number of micro-drama users nationwide has reached 696 million, accounting for nearly 70% of the total number of internet users. From a cultural perspective, micro-dramas have gradually become an important form of popular culture. From January to August 2025, major comprehensive video platforms launched 325 horizontal-screen micro-dramas (a year-on-year increase of 24.52%). The number of vertical-screen dramas launched on short video platforms, mini-programs, and micro-drama apps has also increased, with the total number of independently produced and launched vertical-screen dramas expected to reach approximately 40,000 in 2025. Media reports indicate that as of December 2024, 202 overseas short-drama apps had been launched in overseas markets. Viewers in Europe, America, and Southeast Asia show relatively high viewing and payment intentions. Download data from leading Chinese micro-drama apps shows that nearly 30% of downloads come from the United States. The first tier includes Reelshort and DramaBox; the second tier includes FlexTV, Goodshort, MoboReels, and ShortTV.
This report aims to provide a comprehensive presentation of the global market for Short Drama Overseas Platform, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Short Drama Overseas Platform.
The Short Drama Overseas Platform market size, estimations, and forecasts are provided in terms of and revenue ($ millions), considering 2024 as the base year, with history and forecast data for the period from 2020 to 2031. This report segments the global Short Drama Overseas Platform market comprehensively. Regional market sizes, concerning products by Type, by Application, by Platforms and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Short Drama Overseas Platform companies, new entrants, and industry chain related companies in this market with information on the revenues for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
ReelShort
DramaBox
TopShort
FlexTV (Mega Matrix)
GoodShort
ShortTV
MoboReels
Kalos TV
ShortMax
Emole（BUMP）
Yoshimoto Kogyo Co.，Ltd.）（FANY:D）
UniReel
PikoShow
Helo
DramaWave
99TV
SnackShort
DreameShort
OasisTV
U-NEXT
StardustTV
FlickReels
Vigloo
NetShort
DailyShort
Netflix
Youtube
LINE TV
ByteDance
Kwai
Qimao
iQIYI
Baidu
Tencent
Bilibili
MangoTV
Youku
Segment by Type
IAA（In-Application Advertisement)
IAP（In-Application Purchase-Pay Per Episode/Member Subscription)
Copyright Revenue Sharing
e-commerce Sales
Segment by Platforms
Short Video Platforms
Mini Programs
Long Video Platforms
Independent Short Drama Apps
Segment by Drama
Romance
Urban
Costume
Suspense
Fantasy
Other
Segment by Application
Male
Female
By Region
North America
U.S.
Canada
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia & New Zealand
Europe
Germany
France
U.K.
Italy
Ireland
Russia
Rest of Europe
Latin America
Mexico
Brazil
Argentina
Middle East & Africa
Israel
United Arab Emirates (UAE)
Saudi Arabia
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, by Platforms etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Short Drama Overseas Platform company competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
Research Methodology
The research methodology employed has been subjected by numerous procedures in order to guarantee the quality and accuracy of the data contained within the reports. The analysts are employed full-time and received more than six months training to satisfy the standard of our company. Our methodology can be divided into five stages:
★Stage 1 SECONDARY RESEARCH
The research team first collaborates with magazines, trade associations and administrative departments in the research field. The information provided by our internal documentation service is helpful for our further research. Our team has a wealth of experience and knowledge, and can effectively extract accurate information from existing resources.
★Stage 2 PRIMARY RESEARCH:INTERVIEWS WITH TRADE SOURCES
After the first stage, the research team conducts a large number of face-to-face or telephone interviews with representative companies working in the research field. Analysts are trying to have an opportunity to talk to leading companies and small companies in the field. Upstream suppliers, manufacturers, distributors, importers, installers, wholesalers and consumers were included in the interview. The data collected during the interview were then carefully examined and compared with the secondary study.
★Stage 3 ANALYSIS OF THE GATHERED DATA
The analysis team examines and synthesizes the data collected in the first two stages. In order to validate the data, a second round of interviews can be conducted.
★Stage 4 QUANTITATIVE DATA
The quantitative data such as market estimates, production and capacity of manufacturer, market forecasts and investment feasibility is provided by our company. The data is based on the estimates obtained during stage 3.
★Stage 5 QUALITY CONTROL
Before publishing, each report undergoes a rigorous review and editing process, which is done by the experience management team to ensure the reliability of the published data. Every analyst on the research team receives support and continuous training as part of our internal quality process.
1 Report Overview
1.1 Study Scope
1.2 Market Analysis by Type
1.2.1 Global Short Drama Overseas Platform Market Size Growth Rate by Type: 2020 VS 2024 VS 2031
1.2.2 IAA（In-Application Advertisement)
1.2.3 IAP（In-Application Purchase-Pay Per Episode/Member Subscription)
1.2.4 Copyright Revenue Sharing
1.2.5 e-commerce Sales
1.3 Market by Platforms
1.3.1 Global Short Drama Overseas Platform Market Size Growth Rate by Platforms: 2020 VS 2024 VS 2031
1.3.2 Short Video Platforms
1.3.3 Mini Programs
1.3.4 Long Video Platforms
1.3.5 Independent Short Drama Apps
1.4 Market by Drama
1.4.1 Global Short Drama Overseas Platform Market Size Growth Rate by Drama: 2020 VS 2024 VS 2031
1.4.2 Romance
1.4.3 Urban
1.4.4 Costume
1.4.5 Suspense
1.4.6 Fantasy
1.4.7 Other
1.5 Market by Application
1.5.1 Global Short Drama Overseas Platform Market Growth by Application: 2020 VS 2024 VS 2031
1.5.2 Male
1.5.3 Female
1.6 Assumptions and Limitations
1.7 Study Objectives
1.8 Years Considered
2 Global Growth Trends
2.1 Global Short Drama Overseas Platform Market Perspective (2020-2031)
2.2 Global Short Drama Overseas Platform Growth Trends by Region
2.2.1 Global Short Drama Overseas Platform Market Size by Region: 2020 VS 2024 VS 2031
2.2.2 Short Drama Overseas Platform Historic Market Size by Region (2020-2025)
2.2.3 Short Drama Overseas Platform Forecasted Market Size by Region (2026-2031)
2.3 Short Drama Overseas Platform Market Dynamics
2.3.1 Short Drama Overseas Platform Industry Trends
2.3.2 Short Drama Overseas Platform Market Drivers
2.3.3 Short Drama Overseas Platform Market Challenges
2.3.4 Short Drama Overseas Platform Market Restraints
3 Competition Landscape by Key Players
3.1 Global Top Short Drama Overseas Platform Players by Revenue
3.1.1 Global Top Short Drama Overseas Platform Players by Revenue (2020-2025)
3.1.2 Global Short Drama Overseas Platform Revenue Market Share by Players (2020-2025)
3.2 Global Top Short Drama Overseas Platform Players by Company Type and Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Global Key Players Ranking by Short Drama Overseas Platform Revenue
3.4 Global Short Drama Overseas Platform Market Concentration Ratio
3.4.1 Global Short Drama Overseas Platform Market Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Short Drama Overseas Platform Revenue in 2024
3.5 Global Key Players of Short Drama Overseas Platform Head office and Area Served
3.6 Global Key Players of Short Drama Overseas Platform, Product and Application
3.7 Global Key Players of Short Drama Overseas Platform, Date of Enter into This Industry
3.8 Mergers & Acquisitions, Expansion Plans
4 Short Drama Overseas Platform Breakdown Data by Type
4.1 Global Short Drama Overseas Platform Historic Market Size by Type (2020-2025)
4.2 Global Short Drama Overseas Platform Forecasted Market Size by Type (2026-2031)
5 Short Drama Overseas Platform Breakdown Data by Application
5.1 Global Short Drama Overseas Platform Historic Market Size by Application (2020-2025)
5.2 Global Short Drama Overseas Platform Forecasted Market Size by Application (2026-2031)
6 North America
6.1 North America Short Drama Overseas Platform Market Size (2020-2031)
6.2 North America Short Drama Overseas Platform Market Growth Rate by Country: 2020 VS 2024 VS 2031
6.3 North America Short Drama Overseas Platform Market Size by Country (2020-2025)
6.4 North America Short Drama Overseas Platform Market Size by Country (2026-2031)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Short Drama Overseas Platform Market Size (2020-2031)
7.2 Europe Short Drama Overseas Platform Market Growth Rate by Country: 2020 VS 2024 VS 2031
7.3 Europe Short Drama Overseas Platform Market Size by Country (2020-2025)
7.4 Europe Short Drama Overseas Platform Market Size by Country (2026-2031)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Ireland
8 Asia-Pacific
8.1 Asia-Pacific Short Drama Overseas Platform Market Size (2020-2031)
8.2 Asia-Pacific Short Drama Overseas Platform Market Growth Rate by Region: 2020 VS 2024 VS 2031
8.3 Asia-Pacific Short Drama Overseas Platform Market Size by Region (2020-2025)
8.4 Asia-Pacific Short Drama Overseas Platform Market Size by Region (2026-2031)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia & New Zealand
9 Latin America
9.1 Latin America Short Drama Overseas Platform Market Size (2020-2031)
9.2 Latin America Short Drama Overseas Platform Market Growth Rate by Country: 2020 VS 2024 VS 2031
9.3 Latin America Short Drama Overseas Platform Market Size by Country (2020-2025)
9.4 Latin America Short Drama Overseas Platform Market Size by Country (2026-2031)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Short Drama Overseas Platform Market Size (2020-2031)
10.2 Middle East & Africa Short Drama Overseas Platform Market Growth Rate by Country: 2020 VS 2024 VS 2031
10.3 Middle East & Africa Short Drama Overseas Platform Market Size by Country (2020-2025)
10.4 Middle East & Africa Short Drama Overseas Platform Market Size by Country (2026-2031)
10.5 Israel
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 ReelShort
11.1.1 ReelShort Company Details
11.1.2 ReelShort Business Overview
11.1.3 ReelShort Short Drama Overseas Platform Introduction
11.1.4 ReelShort Revenue in Short Drama Overseas Platform Business (2020-2025)
11.1.5 ReelShort Recent Development
11.2 DramaBox
11.2.1 DramaBox Company Details
11.2.2 DramaBox Business Overview
11.2.3 DramaBox Short Drama Overseas Platform Introduction
11.2.4 DramaBox Revenue in Short Drama Overseas Platform Business (2020-2025)
11.2.5 DramaBox Recent Development
11.3 TopShort
11.3.1 TopShort Company Details
11.3.2 TopShort Business Overview
11.3.3 TopShort Short Drama Overseas Platform Introduction
11.3.4 TopShort Revenue in Short Drama Overseas Platform Business (2020-2025)
11.3.5 TopShort Recent Development
11.4 FlexTV (Mega Matrix)
11.4.1 FlexTV (Mega Matrix) Company Details
11.4.2 FlexTV (Mega Matrix) Business Overview
11.4.3 FlexTV (Mega Matrix) Short Drama Overseas Platform Introduction
11.4.4 FlexTV (Mega Matrix) Revenue in Short Drama Overseas Platform Business (2020-2025)
11.4.5 FlexTV (Mega Matrix) Recent Development
11.5 GoodShort
11.5.1 GoodShort Company Details
11.5.2 GoodShort Business Overview
11.5.3 GoodShort Short Drama Overseas Platform Introduction
11.5.4 GoodShort Revenue in Short Drama Overseas Platform Business (2020-2025)
11.5.5 GoodShort Recent Development
11.6 ShortTV
11.6.1 ShortTV Company Details
11.6.2 ShortTV Business Overview
11.6.3 ShortTV Short Drama Overseas Platform Introduction
11.6.4 ShortTV Revenue in Short Drama Overseas Platform Business (2020-2025)
11.6.5 ShortTV Recent Development
11.7 MoboReels
11.7.1 MoboReels Company Details
11.7.2 MoboReels Business Overview
11.7.3 MoboReels Short Drama Overseas Platform Introduction
11.7.4 MoboReels Revenue in Short Drama Overseas Platform Business (2020-2025)
11.7.5 MoboReels Recent Development
11.8 Kalos TV
11.8.1 Kalos TV Company Details
11.8.2 Kalos TV Business Overview
11.8.3 Kalos TV Short Drama Overseas Platform Introduction
11.8.4 Kalos TV Revenue in Short Drama Overseas Platform Business (2020-2025)
11.8.5 Kalos TV Recent Development
11.9 ShortMax
11.9.1 ShortMax Company Details
11.9.2 ShortMax Business Overview
11.9.3 ShortMax Short Drama Overseas Platform Introduction
11.9.4 ShortMax Revenue in Short Drama Overseas Platform Business (2020-2025)
11.9.5 ShortMax Recent Development
11.10 Emole（BUMP）
11.10.1 Emole（BUMP） Company Details
11.10.2 Emole（BUMP） Business Overview
11.10.3 Emole（BUMP） Short Drama Overseas Platform Introduction
11.10.4 Emole（BUMP） Revenue in Short Drama Overseas Platform Business (2020-2025)
11.10.5 Emole（BUMP） Recent Development
11.11 Yoshimoto Kogyo Co.，Ltd.）（FANY:D）
11.11.1 Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Company Details
11.11.2 Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Business Overview
11.11.3 Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Short Drama Overseas Platform Introduction
11.11.4 Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Revenue in Short Drama Overseas Platform Business (2020-2025)
11.11.5 Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Recent Development
11.12 UniReel
11.12.1 UniReel Company Details
11.12.2 UniReel Business Overview
11.12.3 UniReel Short Drama Overseas Platform Introduction
11.12.4 UniReel Revenue in Short Drama Overseas Platform Business (2020-2025)
11.12.5 UniReel Recent Development
11.13 PikoShow
11.13.1 PikoShow Company Details
11.13.2 PikoShow Business Overview
11.13.3 PikoShow Short Drama Overseas Platform Introduction
11.13.4 PikoShow Revenue in Short Drama Overseas Platform Business (2020-2025)
11.13.5 PikoShow Recent Development
11.14 Helo
11.14.1 Helo Company Details
11.14.2 Helo Business Overview
11.14.3 Helo Short Drama Overseas Platform Introduction
11.14.4 Helo Revenue in Short Drama Overseas Platform Business (2020-2025)
11.14.5 Helo Recent Development
11.15 DramaWave
11.15.1 DramaWave Company Details
11.15.2 DramaWave Business Overview
11.15.3 DramaWave Short Drama Overseas Platform Introduction
11.15.4 DramaWave Revenue in Short Drama Overseas Platform Business (2020-2025)
11.15.5 DramaWave Recent Development
11.16 99TV
11.16.1 99TV Company Details
11.16.2 99TV Business Overview
11.16.3 99TV Short Drama Overseas Platform Introduction
11.16.4 99TV Revenue in Short Drama Overseas Platform Business (2020-2025)
11.16.5 99TV Recent Development
11.17 SnackShort
11.17.1 SnackShort Company Details
11.17.2 SnackShort Business Overview
11.17.3 SnackShort Short Drama Overseas Platform Introduction
11.17.4 SnackShort Revenue in Short Drama Overseas Platform Business (2020-2025)
11.17.5 SnackShort Recent Development
11.18 DreameShort
11.18.1 DreameShort Company Details
11.18.2 DreameShort Business Overview
11.18.3 DreameShort Short Drama Overseas Platform Introduction
11.18.4 DreameShort Revenue in Short Drama Overseas Platform Business (2020-2025)
11.18.5 DreameShort Recent Development
11.19 OasisTV
11.19.1 OasisTV Company Details
11.19.2 OasisTV Business Overview
11.19.3 OasisTV Short Drama Overseas Platform Introduction
11.19.4 OasisTV Revenue in Short Drama Overseas Platform Business (2020-2025)
11.19.5 OasisTV Recent Development
11.20 U-NEXT
11.20.1 U-NEXT Company Details
11.20.2 U-NEXT Business Overview
11.20.3 U-NEXT Short Drama Overseas Platform Introduction
11.20.4 U-NEXT Revenue in Short Drama Overseas Platform Business (2020-2025)
11.20.5 U-NEXT Recent Development
11.21 StardustTV
11.21.1 StardustTV Company Details
11.21.2 StardustTV Business Overview
11.21.3 StardustTV Short Drama Overseas Platform Introduction
11.21.4 StardustTV Revenue in Short Drama Overseas Platform Business (2020-2025)
11.21.5 StardustTV Recent Development
11.22 FlickReels
11.22.1 FlickReels Company Details
11.22.2 FlickReels Business Overview
11.22.3 FlickReels Short Drama Overseas Platform Introduction
11.22.4 FlickReels Revenue in Short Drama Overseas Platform Business (2020-2025)
11.22.5 FlickReels Recent Development
11.23 Vigloo
11.23.1 Vigloo Company Details
11.23.2 Vigloo Business Overview
11.23.3 Vigloo Short Drama Overseas Platform Introduction
11.23.4 Vigloo Revenue in Short Drama Overseas Platform Business (2020-2025)
11.23.5 Vigloo Recent Development
11.24 NetShort
11.24.1 NetShort Company Details
11.24.2 NetShort Business Overview
11.24.3 NetShort Short Drama Overseas Platform Introduction
11.24.4 NetShort Revenue in Short Drama Overseas Platform Business (2020-2025)
11.24.5 NetShort Recent Development
11.25 DailyShort
11.25.1 DailyShort Company Details
11.25.2 DailyShort Business Overview
11.25.3 DailyShort Short Drama Overseas Platform Introduction
11.25.4 DailyShort Revenue in Short Drama Overseas Platform Business (2020-2025)
11.25.5 DailyShort Recent Development
11.26 Netflix
11.26.1 Netflix Company Details
11.26.2 Netflix Business Overview
11.26.3 Netflix Short Drama Overseas Platform Introduction
11.26.4 Netflix Revenue in Short Drama Overseas Platform Business (2020-2025)
11.26.5 Netflix Recent Development
11.27 Youtube
11.27.1 Youtube Company Details
11.27.2 Youtube Business Overview
11.27.3 Youtube Short Drama Overseas Platform Introduction
11.27.4 Youtube Revenue in Short Drama Overseas Platform Business (2020-2025)
11.27.5 Youtube Recent Development
11.28 LINE TV
11.28.1 LINE TV Company Details
11.28.2 LINE TV Business Overview
11.28.3 LINE TV Short Drama Overseas Platform Introduction
11.28.4 LINE TV Revenue in Short Drama Overseas Platform Business (2020-2025)
11.28.5 LINE TV Recent Development
11.29 ByteDance
11.29.1 ByteDance Company Details
11.29.2 ByteDance Business Overview
11.29.3 ByteDance Short Drama Overseas Platform Introduction
11.29.4 ByteDance Revenue in Short Drama Overseas Platform Business (2020-2025)
11.29.5 ByteDance Recent Development
11.30 Kwai
11.30.1 Kwai Company Details
11.30.2 Kwai Business Overview
11.30.3 Kwai Short Drama Overseas Platform Introduction
11.30.4 Kwai Revenue in Short Drama Overseas Platform Business (2020-2025)
11.30.5 Kwai Recent Development
11.31 Qimao
11.31.1 Qimao Company Details
11.31.2 Qimao Business Overview
11.31.3 Qimao Short Drama Overseas Platform Introduction
11.31.4 Qimao Revenue in Short Drama Overseas Platform Business (2020-2025)
11.31.5 Qimao Recent Development
11.32 iQIYI
11.32.1 iQIYI Company Details
11.32.2 iQIYI Business Overview
11.32.3 iQIYI Short Drama Overseas Platform Introduction
11.32.4 iQIYI Revenue in Short Drama Overseas Platform Business (2020-2025)
11.32.5 iQIYI Recent Development
11.33 Baidu
11.33.1 Baidu Company Details
11.33.2 Baidu Business Overview
11.33.3 Baidu Short Drama Overseas Platform Introduction
11.33.4 Baidu Revenue in Short Drama Overseas Platform Business (2020-2025)
11.33.5 Baidu Recent Development
11.34 Tencent
11.34.1 Tencent Company Details
11.34.2 Tencent Business Overview
11.34.3 Tencent Short Drama Overseas Platform Introduction
11.34.4 Tencent Revenue in Short Drama Overseas Platform Business (2020-2025)
11.34.5 Tencent Recent Development
11.35 Bilibili
11.35.1 Bilibili Company Details
11.35.2 Bilibili Business Overview
11.35.3 Bilibili Short Drama Overseas Platform Introduction
11.35.4 Bilibili Revenue in Short Drama Overseas Platform Business (2020-2025)
11.35.5 Bilibili Recent Development
11.36 MangoTV
11.36.1 MangoTV Company Details
11.36.2 MangoTV Business Overview
11.36.3 MangoTV Short Drama Overseas Platform Introduction
11.36.4 MangoTV Revenue in Short Drama Overseas Platform Business (2020-2025)
11.36.5 MangoTV Recent Development
11.37 Youku
11.37.1 Youku Company Details
11.37.2 Youku Business Overview
11.37.3 Youku Short Drama Overseas Platform Introduction
11.37.4 Youku Revenue in Short Drama Overseas Platform Business (2020-2025)
11.37.5 Youku Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.1.1 Research Programs/Design
13.1.1.2 Market Size Estimation
13.1.1.3 Market Breakdown and Data Triangulation
13.1.2 Data Source
13.1.2.1 Secondary Sources
13.1.2.2 Primary Sources
13.2 Author Details
13.3 Disclaimer
List of Tables
Table 1. Global Short Drama Overseas Platform Market Size Growth Rate by Type (US$ Million): 2020 VS 2024 VS 2031
Table 2. Key Players of IAA（In-Application Advertisement)
Table 3. Key Players of IAP（In-Application Purchase-Pay Per Episode/Member Subscription)
Table 4. Key Players of Copyright Revenue Sharing
Table 5. Key Players of e-commerce Sales
Table 6. Global Short Drama Overseas Platform Market Size Growth Rate by Platforms (US$ Million): 2020 VS 2024 VS 2031
Table 7. Key Players of Short Video Platforms
Table 8. Key Players of Mini Programs
Table 9. Key Players of Long Video Platforms
Table 10. Key Players of Independent Short Drama Apps
Table 11. Global Short Drama Overseas Platform Market Size Growth Rate by Drama (US$ Million): 2020 VS 2024 VS 2031
Table 12. Key Players of Romance
Table 13. Key Players of Urban
Table 14. Key Players of Costume
Table 15. Key Players of Suspense
Table 16. Key Players of Fantasy
Table 17. Key Players of Other
Table 18. Global Short Drama Overseas Platform Market Size Growth by Application (US$ Million): 2020 VS 2024 VS 2031
Table 19. Global Short Drama Overseas Platform Market Size by Region (US$ Million): 2020 VS 2024 VS 2031
Table 20. Global Short Drama Overseas Platform Market Size by Region (2020-2025) & (US$ Million)
Table 21. Global Short Drama Overseas Platform Market Share by Region (2020-2025)
Table 22. Global Short Drama Overseas Platform Forecasted Market Size by Region (2026-2031) & (US$ Million)
Table 23. Global Short Drama Overseas Platform Market Share by Region (2026-2031)
Table 24. Short Drama Overseas Platform Market Trends
Table 25. Short Drama Overseas Platform Market Drivers
Table 26. Short Drama Overseas Platform Market Challenges
Table 27. Short Drama Overseas Platform Market Restraints
Table 28. Global Short Drama Overseas Platform Revenue by Players (2020-2025) & (US$ Million)
Table 29. Global Short Drama Overseas Platform Market Share by Players (2020-2025)
Table 30. Global Top Short Drama Overseas Platform Players by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Short Drama Overseas Platform as of 2024)
Table 31. Ranking of Global Top Short Drama Overseas Platform Companies by Revenue (US$ Million) in 2024
Table 32. Global 5 Largest Players Market Share by Short Drama Overseas Platform Revenue (CR5 and HHI) & (2020-2025)
Table 33. Global Key Players of Short Drama Overseas Platform, Headquarters and Area Served
Table 34. Global Key Players of Short Drama Overseas Platform, Product and Application
Table 35. Global Key Players of Short Drama Overseas Platform, Date of Enter into This Industry
Table 36. Mergers & Acquisitions, Expansion Plans
Table 37. Global Short Drama Overseas Platform Market Size by Type (2020-2025) & (US$ Million)
Table 38. Global Short Drama Overseas Platform Revenue Market Share by Type (2020-2025)
Table 39. Global Short Drama Overseas Platform Forecasted Market Size by Type (2026-2031) & (US$ Million)
Table 40. Global Short Drama Overseas Platform Revenue Market Share by Type (2026-2031)
Table 41. Global Short Drama Overseas Platform Market Size by Application (2020-2025) & (US$ Million)
Table 42. Global Short Drama Overseas Platform Revenue Market Share by Application (2020-2025)
Table 43. Global Short Drama Overseas Platform Forecasted Market Size by Application (2026-2031) & (US$ Million)
Table 44. Global Short Drama Overseas Platform Revenue Market Share by Application (2026-2031)
Table 45. North America Short Drama Overseas Platform Market Size Growth Rate by Country (US$ Million): 2020 VS 2024 VS 2031
Table 46. North America Short Drama Overseas Platform Market Size by Country (2020-2025) & (US$ Million)
Table 47. North America Short Drama Overseas Platform Market Size by Country (2026-2031) & (US$ Million)
Table 48. Europe Short Drama Overseas Platform Market Size Growth Rate by Country (US$ Million): 2020 VS 2024 VS 2031
Table 49. Europe Short Drama Overseas Platform Market Size by Country (2020-2025) & (US$ Million)
Table 50. Europe Short Drama Overseas Platform Market Size by Country (2026-2031) & (US$ Million)
Table 51. Asia-Pacific Short Drama Overseas Platform Market Size Growth Rate by Region (US$ Million): 2020 VS 2024 VS 2031
Table 52. Asia-Pacific Short Drama Overseas Platform Market Size by Region (2020-2025) & (US$ Million)
Table 53. Asia-Pacific Short Drama Overseas Platform Market Size by Region (2026-2031) & (US$ Million)
Table 54. Latin America Short Drama Overseas Platform Market Size Growth Rate by Country (US$ Million): 2020 VS 2024 VS 2031
Table 55. Latin America Short Drama Overseas Platform Market Size by Country (2020-2025) & (US$ Million)
Table 56. Latin America Short Drama Overseas Platform Market Size by Country (2026-2031) & (US$ Million)
Table 57. Middle East & Africa Short Drama Overseas Platform Market Size Growth Rate by Country (US$ Million): 2020 VS 2024 VS 2031
Table 58. Middle East & Africa Short Drama Overseas Platform Market Size by Country (2020-2025) & (US$ Million)
Table 59. Middle East & Africa Short Drama Overseas Platform Market Size by Country (2026-2031) & (US$ Million)
Table 60. ReelShort Company Details
Table 61. ReelShort Business Overview
Table 62. ReelShort Short Drama Overseas Platform Product
Table 63. ReelShort Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 64. ReelShort Recent Development
Table 65. DramaBox Company Details
Table 66. DramaBox Business Overview
Table 67. DramaBox Short Drama Overseas Platform Product
Table 68. DramaBox Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 69. DramaBox Recent Development
Table 70. TopShort Company Details
Table 71. TopShort Business Overview
Table 72. TopShort Short Drama Overseas Platform Product
Table 73. TopShort Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 74. TopShort Recent Development
Table 75. FlexTV (Mega Matrix) Company Details
Table 76. FlexTV (Mega Matrix) Business Overview
Table 77. FlexTV (Mega Matrix) Short Drama Overseas Platform Product
Table 78. FlexTV (Mega Matrix) Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 79. FlexTV (Mega Matrix) Recent Development
Table 80. GoodShort Company Details
Table 81. GoodShort Business Overview
Table 82. GoodShort Short Drama Overseas Platform Product
Table 83. GoodShort Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 84. GoodShort Recent Development
Table 85. ShortTV Company Details
Table 86. ShortTV Business Overview
Table 87. ShortTV Short Drama Overseas Platform Product
Table 88. ShortTV Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 89. ShortTV Recent Development
Table 90. MoboReels Company Details
Table 91. MoboReels Business Overview
Table 92. MoboReels Short Drama Overseas Platform Product
Table 93. MoboReels Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 94. MoboReels Recent Development
Table 95. Kalos TV Company Details
Table 96. Kalos TV Business Overview
Table 97. Kalos TV Short Drama Overseas Platform Product
Table 98. Kalos TV Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 99. Kalos TV Recent Development
Table 100. ShortMax Company Details
Table 101. ShortMax Business Overview
Table 102. ShortMax Short Drama Overseas Platform Product
Table 103. ShortMax Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 104. ShortMax Recent Development
Table 105. Emole（BUMP） Company Details
Table 106. Emole（BUMP） Business Overview
Table 107. Emole（BUMP） Short Drama Overseas Platform Product
Table 108. Emole（BUMP） Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 109. Emole（BUMP） Recent Development
Table 110. Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Company Details
Table 111. Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Business Overview
Table 112. Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Short Drama Overseas Platform Product
Table 113. Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 114. Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Recent Development
Table 115. UniReel Company Details
Table 116. UniReel Business Overview
Table 117. UniReel Short Drama Overseas Platform Product
Table 118. UniReel Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 119. UniReel Recent Development
Table 120. PikoShow Company Details
Table 121. PikoShow Business Overview
Table 122. PikoShow Short Drama Overseas Platform Product
Table 123. PikoShow Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 124. PikoShow Recent Development
Table 125. Helo Company Details
Table 126. Helo Business Overview
Table 127. Helo Short Drama Overseas Platform Product
Table 128. Helo Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 129. Helo Recent Development
Table 130. DramaWave Company Details
Table 131. DramaWave Business Overview
Table 132. DramaWave Short Drama Overseas Platform Product
Table 133. DramaWave Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 134. DramaWave Recent Development
Table 135. 99TV Company Details
Table 136. 99TV Business Overview
Table 137. 99TV Short Drama Overseas Platform Product
Table 138. 99TV Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 139. 99TV Recent Development
Table 140. SnackShort Company Details
Table 141. SnackShort Business Overview
Table 142. SnackShort Short Drama Overseas Platform Product
Table 143. SnackShort Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 144. SnackShort Recent Development
Table 145. DreameShort Company Details
Table 146. DreameShort Business Overview
Table 147. DreameShort Short Drama Overseas Platform Product
Table 148. DreameShort Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 149. DreameShort Recent Development
Table 150. OasisTV Company Details
Table 151. OasisTV Business Overview
Table 152. OasisTV Short Drama Overseas Platform Product
Table 153. OasisTV Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 154. OasisTV Recent Development
Table 155. U-NEXT Company Details
Table 156. U-NEXT Business Overview
Table 157. U-NEXT Short Drama Overseas Platform Product
Table 158. U-NEXT Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 159. U-NEXT Recent Development
Table 160. StardustTV Company Details
Table 161. StardustTV Business Overview
Table 162. StardustTV Short Drama Overseas Platform Product
Table 163. StardustTV Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 164. StardustTV Recent Development
Table 165. FlickReels Company Details
Table 166. FlickReels Business Overview
Table 167. FlickReels Short Drama Overseas Platform Product
Table 168. FlickReels Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 169. FlickReels Recent Development
Table 170. Vigloo Company Details
Table 171. Vigloo Business Overview
Table 172. Vigloo Short Drama Overseas Platform Product
Table 173. Vigloo Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 174. Vigloo Recent Development
Table 175. NetShort Company Details
Table 176. NetShort Business Overview
Table 177. NetShort Short Drama Overseas Platform Product
Table 178. NetShort Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 179. NetShort Recent Development
Table 180. DailyShort Company Details
Table 181. DailyShort Business Overview
Table 182. DailyShort Short Drama Overseas Platform Product
Table 183. DailyShort Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 184. DailyShort Recent Development
Table 185. Netflix Company Details
Table 186. Netflix Business Overview
Table 187. Netflix Short Drama Overseas Platform Product
Table 188. Netflix Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 189. Netflix Recent Development
Table 190. Youtube Company Details
Table 191. Youtube Business Overview
Table 192. Youtube Short Drama Overseas Platform Product
Table 193. Youtube Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 194. Youtube Recent Development
Table 195. LINE TV Company Details
Table 196. LINE TV Business Overview
Table 197. LINE TV Short Drama Overseas Platform Product
Table 198. LINE TV Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 199. LINE TV Recent Development
Table 200. ByteDance Company Details
Table 201. ByteDance Business Overview
Table 202. ByteDance Short Drama Overseas Platform Product
Table 203. ByteDance Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 204. ByteDance Recent Development
Table 205. Kwai Company Details
Table 206. Kwai Business Overview
Table 207. Kwai Short Drama Overseas Platform Product
Table 208. Kwai Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 209. Kwai Recent Development
Table 210. Qimao Company Details
Table 211. Qimao Business Overview
Table 212. Qimao Short Drama Overseas Platform Product
Table 213. Qimao Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 214. Qimao Recent Development
Table 215. iQIYI Company Details
Table 216. iQIYI Business Overview
Table 217. iQIYI Short Drama Overseas Platform Product
Table 218. iQIYI Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 219. iQIYI Recent Development
Table 220. Baidu Company Details
Table 221. Baidu Business Overview
Table 222. Baidu Short Drama Overseas Platform Product
Table 223. Baidu Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 224. Baidu Recent Development
Table 225. Tencent Company Details
Table 226. Tencent Business Overview
Table 227. Tencent Short Drama Overseas Platform Product
Table 228. Tencent Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 229. Tencent Recent Development
Table 230. Bilibili Company Details
Table 231. Bilibili Business Overview
Table 232. Bilibili Short Drama Overseas Platform Product
Table 233. Bilibili Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 234. Bilibili Recent Development
Table 235. MangoTV Company Details
Table 236. MangoTV Business Overview
Table 237. MangoTV Short Drama Overseas Platform Product
Table 238. MangoTV Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 239. MangoTV Recent Development
Table 240. Youku Company Details
Table 241. Youku Business Overview
Table 242. Youku Short Drama Overseas Platform Product
Table 243. Youku Revenue in Short Drama Overseas Platform Business (2020-2025) & (US$ Million)
Table 244. Youku Recent Development
Table 245. Research Programs/Design for This Report
Table 246. Key Data Information from Secondary Sources
Table 247. Key Data Information from Primary Sources
Table 248. Authors List of This Report
List of Figures
Figure 1. Short Drama Overseas Platform Picture
Figure 2. Global Short Drama Overseas Platform Market Size Comparison by Type (2020-2031) & (US$ Million)
Figure 3. Global Short Drama Overseas Platform Market Share by Type: 2024 VS 2031
Figure 4. IAA（In-Application Advertisement) Features
Figure 5. IAP（In-Application Purchase-Pay Per Episode/Member Subscription) Features
Figure 6. Copyright Revenue Sharing Features
Figure 7. e-commerce Sales Features
Figure 8. Global Short Drama Overseas Platform Market Size Comparison by Platforms (2020-2031) & (US$ Million)
Figure 9. Short Video Platforms Features
Figure 10. Mini Programs Features
Figure 11. Long Video Platforms Features
Figure 12. Independent Short Drama Apps Features
Figure 13. Global Short Drama Overseas Platform Market Size Comparison by Drama (2020-2031) & (US$ Million)
Figure 14. Romance Features
Figure 15. Urban Features
Figure 16. Costume Features
Figure 17. Suspense Features
Figure 18. Fantasy Features
Figure 19. Other Features
Figure 20. Global Short Drama Overseas Platform Market Size by Application (2020-2031) & (US$ Million)
Figure 21. Global Short Drama Overseas Platform Market Share by Application: 2024 VS 2031
Figure 22. Male Case Studies
Figure 23. Female Case Studies
Figure 24. Short Drama Overseas Platform Report Years Considered
Figure 25. Global Short Drama Overseas Platform Market Size (US$ Million), Year-over-Year: 2020-2031
Figure 26. Global Short Drama Overseas Platform Market Size, (US$ Million), 2020 VS 2024 VS 2031
Figure 27. Global Short Drama Overseas Platform Market Share by Region: 2024 VS 2031
Figure 28. Global Short Drama Overseas Platform Market Share by Players in 2024
Figure 29. Global Short Drama Overseas Platform Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
Figure 30. The Top 10 and 5 Players Market Share by Short Drama Overseas Platform Revenue in 2024
Figure 31. North America Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 32. North America Short Drama Overseas Platform Market Share by Country (2020-2031)
Figure 33. United States Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 34. Canada Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 35. Europe Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 36. Europe Short Drama Overseas Platform Market Share by Country (2020-2031)
Figure 37. Germany Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 38. France Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 39. U.K. Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 40. Italy Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 41. Russia Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 42. Ireland Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 43. Asia-Pacific Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 44. Asia-Pacific Short Drama Overseas Platform Market Share by Region (2020-2031)
Figure 45. China Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 46. Japan Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 47. South Korea Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 48. Southeast Asia Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 49. India Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 50. Australia & New Zealand Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 51. Latin America Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 52. Latin America Short Drama Overseas Platform Market Share by Country (2020-2031)
Figure 53. Mexico Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 54. Brazil Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 55. Middle East & Africa Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 56. Middle East & Africa Short Drama Overseas Platform Market Share by Country (2020-2031)
Figure 57. Israel Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 58. Saudi Arabia Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 59. UAE Short Drama Overseas Platform Market Size YoY Growth (2020-2031) & (US$ Million)
Figure 60. ReelShort Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 61. DramaBox Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 62. TopShort Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 63. FlexTV (Mega Matrix) Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 64. GoodShort Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 65. ShortTV Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 66. MoboReels Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 67. Kalos TV Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 68. ShortMax Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 69. Emole（BUMP） Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 70. Yoshimoto Kogyo Co.，Ltd.）（FANY:D） Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 71. UniReel Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 72. PikoShow Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 73. Helo Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 74. DramaWave Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 75. 99TV Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 76. SnackShort Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 77. DreameShort Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 78. OasisTV Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 79. U-NEXT Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 80. StardustTV Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 81. FlickReels Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 82. Vigloo Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 83. NetShort Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 84. DailyShort Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 85. Netflix Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 86. Youtube Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 87. LINE TV Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 88. ByteDance Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 89. Kwai Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 90. Qimao Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 91. iQIYI Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 92. Baidu Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 93. Tencent Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 94. Bilibili Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 95. MangoTV Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 96. Youku Revenue Growth Rate in Short Drama Overseas Platform Business (2020-2025)
Figure 97. Bottom-up and Top-down Approaches for This Report
Figure 98. Data Triangulation
Figure 99. Key Executives Interviewed
